- 20 NIMEs: Twenty Years of New Interfaces for Musical Expression
Stefano Fasciani, Jackson Goode
- Aeolis: A Virtual Instrument Producing Pitched Tones With Soundscape Timbres
Lior Arbel
- LoopBlocks: Design and Preliminary Evaluation of an Accessible Tangible Musical Step Sequencer
Andreas Förster, Mathias Komesker
- Documentation and Replicability in the NIME Community
Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, Marcelo M. Wanderley
- A Yellow Box with a Key Switch and a 1/4\" TRS Balanced Audio Output
Marinos Koutsomichalis
- What to Play and How to Play it: Guiding Generative Music Models with Multiple Demonstrations
Jon Gillick, David Bamman
- Click::RAND\#2. An Indeterminate Sound Sculpture
Paul Dunham, Dr. Mo H. Zareei, Prof. Dale Carnegie, Dr. Dugal McKinnon
- Discourse is critical: Towards a collaborative NIME history
S. M. Astrid Bin
- A Study on Learning Advanced Skills on Co-Playable Robotic Instruments
Sang-won Leigh, Jeonghyun (Jonna) Lee
- NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIME
Raul Masu, Nuno N. Correia, Teresa Romao
- MapLooper: Live-looping of distributed gesture-to-sound mappings
Christian Frisson, Mathias Bredholt, Joseph Malloch, Marcelo M. Wanderley
- Embracing Less Common Evaluation Strategies for Studying User Experience in NIME
P. J. Charles Reimer, Marcelo M. Wanderley
- The T-Stick Music Creation Project: An approach to building a creative community around a DMI
Takuto Fukuda, Eduardo Meneses, Travis West, Marcelo M. Wanderley
- Reactive Video: Movement Sonification for Learning Physical Activity with Adaptive Video Playback
Doga Cavdir, Chris Clarke, Patrick Chiu, Laurent Denoue, Don Kimber
- Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and Microtone
Daniel Chin, Ian Zhang, Gus Xia
- Musical Grid Interfaces: Past, Present, and Future Directions
Beat Rossmy, Alexander Wiethoff
- TouchGrid -- Combining Touch Interaction with Musical Grid Interfaces
Beat Rossmy, Sebastian Unger, Alexander Wiethoff
- Creativity in Children\'s Digital Music Composition
Corey Ford, Nick Bryan-Kinns, Chris Nash
- A Wearable Haptic Interface for Breath Guidance in Vocal Training
Yinmiao Li, Ziyue Piao, Gus Xia
- Musical Exploration of Volumetric Textures in Mixed and Virtual Reality
Florent Berthaut
- Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical Expression
Abby Aresty, Rachel Gibson
- Grisey's \'Talea\': Musical Representation As An Interactive 3D Map
Anne Sophie Andersen, Derek Kwan
- Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces
Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu, Martin Kaltenbrunner
- NIME and the Environment: Toward a More Sustainable NIME Practice
Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius
- Global Hyperorgan: a platform for telematic musicking and research
Randall Harlow, Mattias Petersson, Robert Ek, Federico Visi, Stefan Östersjö
- DMI Apprenticeship: Sharing and Replicating Musical Artefacts
Luis Zayas-Garin, Jacob Harrison, Robert Jack, Andrew McPherson
- The Body Electric: A NIME designed through and with the somatic experience of singing
Kelsey Cotton, Pedro Sanches, Vasiliki Tsaknaki, Pavel Karpashevich
- Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools
Emma Frid, Alon Ilsar
- SoftMRP: a Software Emulation of the Magnetic Resonator Piano
Jonathan Pitkin
- Music Computing and Computational Thinking: A Case Study
Kyriakos Tsoukalas, Ivica Bukvic
- Making Mappings: Design Criteria for Live Performance
Travis West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley
- Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design
Andrea Martelloni, Andrew McPherson, Mathieu Barthet
- Transformer Neural Networks for Automated Rhythm Generation
Thomas Nuttall, Behzad Haki, Sergi Jorda
- Sounds of Futures Passed: Media Archaeology and Design Fiction as NIME Methodologies
Derek Holzer, Henrik Frisk, Andre Holzapfel
- Interpolating Audio and Haptic Control Spaces
Juliette Regimbal, Marcelo M. Wanderley
- Algorithmic Power Ballads
Shelly Knotts
- Entangled: A Multi-Modal, Multi-User Interactive Instrument in Virtual 3D Space Using the Smartphone for Gesture Control
Myungin Lee
- Spire Muse: A Virtual Musical Partner for Creative Brainstorming
Notto J. W. Thelle, Philippe Pasquier
- Virtuoso mapping for the Electrumpet, a hyperinstrument strategy
Hans Leeuw
- Live Coding with the Cloud and a Virtual Agent
Anna Xambó, Gerard Roma, Sam Roig, Eduard Solaz
- COSMIC: A Conversational Interface for Human-AI Music Co-Creation
Yixiao Zhang, Gus Xia, Mark Levy, Simon Dixon
- Living Sounds: Live Nature Sound as Online Performance Space
Gershon Dublon, Xin Liu
- Speculātor: visual soundscape augmentation of natural environments
Nathan Villicaña-Shaw, Dale A. Carnegie, Jim Murphy, Mo Zareei
- An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker
William Thompson, Edgar Berdahl
- Toneblocks: Block-based musical programming
Michael Quigley, William Payne
- Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden
Yi Wu, Jason Freeman
- Mono-Replay : a software tool for digitized sound animation
Thomas LUCAS, Christophe d\'Alessandro, Serge de Laubier
- Designing and performing with Pandora's Box: transforming feedback physically and with algorithms
Ward J. Slager
- Quadrant: A Multichannel, Time-of-Flight Based Hand Tracking Interface for Computer Music
Chris Chronopoulos
- Sensitiv -- Designing a Sonic Co-play Tool for Interactive Dance
Lisa Andersson López, Thelma Svenns, Andre Holzapfel
- Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance
Geise Santos, Johnty Wang, Carolina Brum, Marcelo M. Wanderley, Tiago Tavares, Anderson Rocha
- HASGS: Five Years of Reduced Augmented Evolution
Henrique Portovedo, Paulo Ferreira Lopes, Ricardo Mendes, Tiago Gala
- A Visualization Tool to Explore Interactive Sound Installations
Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley
- Self-resonating Vibrotactile Feedback Instruments \|\|: Making, Playing, Conceptualising :\|\|
Alice Eldridge, Chris Kiefer, Dan Overholt, Halldor Ulfarsson
- The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments
Vincent Reynaert, Florent Berthaut, Yosra Rekik, laurent grisoni
- Cross-Pollinating Ecological Perspectives in ADMI Design and Evaluation
Alex Lucas, Jacob Harrison, Franziska Schroeder, Miguel Ortiz
- Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum
Matthew Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley
- CHILLER: a Computer Human Interface for the Live Labeling of Emotional Responses
Claire Pelofi, Michal Goldstein, Dana Bevilacqua, Michael McPhee, Ellie Abrams, Pablo Ripollés
- Score-Transformer: A Deep Learning Aid for Music Composition
Jeffrey A. T. Lupker
- Amstramgrame: Making Scientific Concepts More Tangible Through Music Technology at School
Romain Michon, Catinca Dumitrascu, Sandrine Chudet, Yann Orlarey, Stéphane Letz, Dominique Fober
- Wireless Sound Modules
Vivian Reuter, Lorenz Schwarz
- The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies
Joshua Ryan Lam, Charalampos Saitis
- The Rullen Band
Maria Svahn, Josefine Hölling, Fanny Curtsson, Nina Nokelainen
- Interaction Taxonomy for Sequencer-Based Music Performances
Stefan Püst, Lena Gieseke, Angela Brennecke
- Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E\`s Model and DMIs
Isabela Corintha, Giordano Cabral
- Latent Mappings: Generating Open-Ended Expressive Mappings Using Variational Autoencoders
Tim Murray-Browne, Panagiotis Tigas
- A streamlined workflow from Max/gen\~ to modular hardware
- Canons for Conlon: Composing and Performing Multiple Tempi on the Web
Roger B. Dannenberg
- A Compositional Exploration of Computational Aesthetic Evaluation and AI Bias.
Artemi-Maria Gioti
- Design of Hathaani - A Robotic Violinist for Carnatic Music
Raghavasimhan Sankaranarayanan, Gil Weinberg
- GIVME: Guided Interactions in Virtual Musical Environments:
Damian Mills, Franziska Schroeder, John D\'Arcy
- Instrument Design for The Furies: A LaptOpera
Anne Hege, Camille Noufi, Elena Georgieva, Ge Wang
- Human noise at the fingertip: Positional (non)control under varying haptic × musical conditions
Staas de Jong
- Emergent Polyrhythmic Patterns with a Neuromorph Electronic Network
christian faubel
- Gambiarra and Techno-Vernacular Creativity in NIME Research
João Tragtenberg, GG Albuquerque, Filipe Calegario
- On Parallel Performance Practices: Some Observations on Personalizing DMIs as Percussionists
Timothy Roth, Aiyun Huang, Tyler Cunningham
- Synthetic Erudition Assist Lattice
Sofy Yuditskaya, Sophia Sun, Margaret Schedel
- Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors
Michael Blandino, Edgar Berdahl
- RhumbLine: Plectrohyla Exquisita --- Spatial Listening of Zoomorphic Musical Robots
Margaret Schedel, Brian Smith, Robert Cosgrove, Nick Hwang
- AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model
Koray Tahiroğlu, Miranda Kastemaa, Oskar Koli
- Investigation of a Novel Shape Sensor for Musical Expression
Alex Champagne, Bob Pritchard, Paul Dietz, Sidney Fels
- Debris: A playful interface for direct manipulation of audio waveforms
Frederic Anthony Robinson
- Evaluation of Timbre-Based Control of a Parametric Synthesizer
Jeff Gregorio, Youngmoo E. Kim
- Hybridization No. 1: Standing at the Boundary between Physical and Virtual Space
Milton Riaño
- Nerve Sensors in Inclusive Musical Performance
Lloyd May, Peter Larsson
- Tune Field
- Reverse-Engineering The Transition Regions of Real-World DJ Mixes using Sub-band Analysis with Convex Optimization
Taejun Kim, Yi-Hsuan Yang, Juhan Nam
- Bespoke Anywhere
Benedict Gaster, Ryan Challinor