- Quantitative evaluation of aspects of embodiment in new digital musical instruments
Andrea Guidi, Andrew McPherson
- Today and Yesterday: Two Case Studies of China's NIME Community
Jiayue Cecilia Wu
- The Mobile Audience as a Digital Musical Persona in Telematic Performance
Anna Xambó, Visda Goudarzi
- HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis
Harri Renney, Silvin Willemsen, Benedict Gaster, Tom Mitchell
- Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
Enrico Dorigatti, Raul Masu
- Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours
Georgios Diapoulis, Iannis Zannos, Kıvanç Tatar, Palle Dahlstedt
- Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes
Jianing Zheng, Nick Bryan-Kinns
- Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression
Rébecca Kleinberger, Nikhil Singh, Xiao Xiao, Akito van Troyer
- Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice
Brady Boettcher, John Sullivan, Marcelo M. Wanderley
- Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live
Brady Boettcher, Joseph Malloch, Johnty Wang, Marcelo M. Wanderley
- Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology Ensembles
Anthony T. Marasco
- Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina
Juan Ramos, Esteban Calcagno, Ramiro oscar Vergara, Pablo Riera, Joaquín Rizza
- On Board Call: A Gestural Wildlife Imitation Machine
Andrew R. Brown
- Post-digital sax - a digitally controlled acoustic single-reed woodwind instrument
Krzysztof Cybulski
- Syntex: parametric audio texture datasets for conditional training of instrumental interfaces.
Lonce Wyse, Prashanth Thattai Ravikumar
- A Toolkit for the Analysis of the NIME Proceedings Archive
Jackson Goode, Stefano Fasciani
- The Concentric Sampler: A musical instrument from a repurposed floppy disk drive
Timothy Tate
- Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators
Takahiro Kamatani, Yoshinao Sato, Masato Fujino
- Reflexions upon Feedback
Thor Magnusson, Chris Kiefer, Halldor Ulfarsson
- Decolonizing the Violin with Active Shoulder Rests (ASRs)
Seth Thorn, Byron Lahey
- Evaluating polaris\~ - An Audiovisual Augmented Reality Experience Built on Open-Source Hardware and Software
Sam Bilbow
- Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance
Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickael Begon, Sylvie Gibet, Marcelo M. Wanderley
- ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics
Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley
- A virtual instrument for physics-based musical gesture: CHON
Rodney DuPlessis
- CAVI: A Coadaptive Audiovisual Instrument--Composition
Cagri Erdem, Benedikte Wallace, Alexander Refsum Jensenius
- Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation
Linnea Kirby, Paul Buser, Marcelo Wanderley
- Cubing Sound: Designing a NIME for Head-mounted Augmented Reality
Yichen Wang, Charles Martin
- Rethinking networked collaboration in the live coding environment Gibber
Charlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith
- A Framework for the Design and Analysis of Mixed Reality Musical Instruments
Karitta Christina Zellerbach, Charlie Roberts
- The Other Hegemony: Effects of software development culture on music software, and what we can do about it
Laurel Pardue, S. M. Astrid Bin
- Being (A)part of NIME: Embracing Latin American Perspectives
Juan Pablo Martinez Avila, João Tragtenberg, Filipe Calegario, Ximena Alarcon, Laddy Patricia Cadavid Hinojosa, Isabela Corintha, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Ortiz, Juan Ramos, Hugo Solís García
- Technology is Land: Strategies towards decolonisation of technology in artmaking
Zak Argabrite, Jim Murphy, Sally Jane Norman, Dale Carnegie
- Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter
Ivica Bukvic
- Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments
Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, Arthur Paté
- The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles
Florent Berthaut, Luke Dahl
- Exploring Musical Form: Digital Scores to Support Live Coding Practice
Francesco Ardan Dal Rì, Raul Masu
- Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments
Anıl Çamcı, John Granzow
- Latent Drummer: A New Abstraction for Modular Sequencers
Nick Warren, Anıl Çamcı
- A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot Study
Daniel Chin, Gus Xia
- Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions
Victor Paredes, Jules Françoise, Frederic Bevilacqua
- User-Friendly MIDI in the Web Browser
Jean-Philippe Côté
- Pitch Fingering Systems and the Search for Perfection
Travis West
- early prototypes and artistic practice with the mubone
Travis West, Kalun Leung
- Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control
Max Graf, Mathieu Barthet
- Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of Hearing
Doga Cavdir
- The M in NIME: Motivic analysis and the case for a musicology of NIME performances
Lia Mice, Andrew McPherson
- Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience
Eevee Zayas-Garin, Andrew McPherson
- Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors
Nicole Robson, Andrew McPherson, Nick Bryan-Kinns
- Exploring Experiences with New Musical Instruments through Micro-phenomenology
Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson
- The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation
Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, Andrew McPherson
- AirSticks 2.0: Instrument Design for Expressive Gestural Interaction
Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson
- Towards User Interface Guidelines for Musical Grid Interfaces
Beat Rossmy, Maximilian Rauh, Alexander Wiethoff
- Buttons, Sliders, and Keys -- A Survey on Musical Grid Interface Standards
Beat Rossmy
- The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument
Jack Armitage, Thor Magnusson, Victor Shepardson, Halldor Ulfarsson
- Bodily Awareness Through NIMEs: Deautomatising Music Making Processes
Carla Sophie Tapparo, Victor Zappi
- Kanchay_Yupana//: Tangible rhythm sequencer inspired by ancestral Andean technologies
Laddy Patricia Cadavid Hinojosa